Exploring protests, rebellion and revolution in the Special Collections

As part of the Explore Your Archive campaign the Special Collections team will be hosting two events. On Wednesday 22 November, there will be a drop-in session highlighting an array of material from the manuscript and printed collections relating to protests, rebellion and revolution.

Come and find out about protests and revolts, from the Peasants’ revolt of 1381 to the Swing riots in Hampshire of 1830, the Southampton Dockers’ strike of 1890 and the General Strike of 1926.  Protest groups and student activism also are represented, with material relating to groups established to combat fascism in the 1930s and 1990s, student action against apartheid, and the work of the “Women in Black”: 35s, the Women’s Campaign for Soviet Jewry.

Conflict at the Place Maubert

Conflict at the Place Maubert from ‘History of the Revolutions in Europe, 1848’. Supplement to the Illustrated London News (1 July 1848)

Also on display will be a range of material focusing on revolutions, including the English Civil War, the French Revolution, the wars for independence in North and South American, and the European revolutions of 1830 and 1848.

Book your ticket on Eventbrite (https://www.eventbrite.co.uk/e/exploring-protests-rebellion-and-revolution-in-the-special-collections-tickets-39658571856) to reserve a place or feel free to drop by on the day. The event will run from 2-5pm.

There will also be an extended opening for our current exhibition ‘Between The West and Russia’ until 5pm. For further details visit: https://www.southampton.ac.uk/archives/news/events/2017/10/23-russia-exhibition.page

All are welcome! Please feel free to share. Visitors may be asked for photo ID by Library Reception staff.


The Special Collections team will also be taking part in the Hands-on Humanities day on Saturday 18 November, 1030-1630, Avenue Campus.

Extract from grant for a subscription for a trading voyage [MS62 BR4/1/1]

Extract from grant for a subscription for a trading voyage [MS62 BR4/1/1]

Can you write like scribes of old?  Why not come along and try your hand at this and other practical activities on offer.  For further information on this go to: https://www.southampton.ac.uk/per/news/events/2017/11/hands-on-humanities-day.page

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The Nation mourns Princess Charlotte of Wales

On the morning of 6 November 1817, the country woke to the awful news that Princess Charlotte Augusta of Wales had died after giving birth to a stillborn son.  She was just 21.  As the only legitimate grandchild of George III her death ended the line of succession and plunged the kingdom into deepest mourning.

Charlotte was the only child of the Prince of Wales, then Prince Regent (later George IV) and his wife, Caroline of Brunswick.  Her childhood was coloured by their unhappy marriage, and by their continual acrimonious disputes.  Allowed limited contact with her mother, Charlotte lived in a separate establishment, cared for by governesses and servants; but she had a warm relationship with her grandfather, George III.  Her biographer describes her as “fair and plump, bright, high spirited and boisterous” (J.S.Lewis, Oxford DNB).  She grew up to be hugely popular with the public, a bright hope for the future in contrast to the dissipation and extravagance of her father.  Her marriage to Prince Leopold of Saxe-Coburg in May 1816 set the seal on her happiness and there were huge crowds and great celebrations in London on her wedding day.

The unexpected shock of Charlotte’s death just 18 months later swept the nation in a tide of grief.  The shops closed for two weeks.  The Royal Exchange, the Law Courts, and the docks followed suit.  The linen drapers ran out of black cloth as even the poor wore black armbands.  Popular composers of the day captured their feelings in words and music.  We can see this in a collection of sheet music held in the Special Collections at the University of Southampton.  George Kiallmark, for example, wrote: “Farewell bright Star! A tribute to the memory of her late Royal Highness the Princess Charlotte of Wales”.

The photo below shows the title page to a piece by John Parry in the same volume: “Mourn England Mourn. An elegy written and composed on the lamentable demise of Her Royal Highness the Princess Charlotte of Wales.”

Title page to Mourn England Mourn, by John Parry, Rare books q M 341 SHI, Misses Shirreff collection of sheet music from late 18th to early 19th century, vol. 4

Title page to Mourn England Mourn, by John Parry, Rare books q M 341 SHI, Misses Shirreff collection of sheet music from late 18th to early 19th century, vol. 4

The words of the first verse read:

Mourn England mourn, thy lovely Rose is dead,
Its beauties faded and its fragrance shed,
Britannia’s brightest Hope, and Albion’s pride,
Fled and blighted, when Cambria’s Princess died,
What heart but feels, what breast but heaves a sigh?
What stoic seen without a tearful eye?
But ah! what must thy Parents, Husband feel?
Their grief is more than language can reveal!

Locally, the High Sheriff of Hampshire called a county meeting at Winchester to propose addresses of condolence to Prince Leopold and the Prince Regent – who were indeed grief stricken.  The latter was too prostrate to attend Charlotte’s funeral.  At the county meeting of nobility, gentry, clergy, freeholders, and other inhabitants “most respectable and numerous”, Lord Palmerston moved the address to the Prince Regent.  His words were reported in the local newspaper:

Newspaper report, 13 December 1817, MS62 BR112/11/28

Newspaper report, 13 December 1817, MS62 BR112/11/28

“Never, indeed, in the annals of our history had there existed so universal a feeling throughout the nation as that which had been excited by the loss we had lately sustained – it was felt by all, not merely as a public calamity, but with the same deep and personal affliction that follows the loss of a near and dear relation. The career of the Princess Charlotte had indeed been short; but in that short course she had in a most remarkable degree conciliated the affections and gained the esteem of the people; with all those milder virtues and gentler qualities which more peculiarly belong to and adorn her sex… she combined a vigour of intellect, and a masculine energy of mind that eminently qualified her for the high station which we had fondly hoped she was one day destined to fill…”

But while the public sympathised, the public also blamed. Charlotte had died after the ordeal of a fifty-hour labour.  While the Prince Regent refused to blame Sir Richard Croft – the accoucheur responsible for Charlotte’s care – many others did, and three months after the death of the Princess, he committed suicide.  These tragic deaths were to lead to significant changes in obstetric practices in the future.

Lock of hair of Princess Charlotte, 1799 MS69/4/2

Lock of hair of Princess Charlotte, 1799 MS69/4/2

Two other items held in the Special Collections show us a glimpse of Princess Charlotte. The first, is a lock of her hair, with its original wrapper, dated 1799, MS69/4/2.  Charlotte was born on 7 January 1796, and would have been a small child when this was cut.  In Victorian times it was popular to keep locks of hair from loved ones, and hair jewellery was very fashionable. This clipping may have been given to Arthur Wellesley, first Duke of Wellington, as a memento after her death. It survives amongst the papers of Christopher Collins, who was for many years the personal confidential servant to the Duke.

Lord Wellington's March, by Princess Charlotte MS 69/4/24

An extract from ‘Lord Wellington’s March’, by Princess Charlotte MS 69/4/24

The Collins archive also includes a manuscript copy of a piece of music called ‘Lord Wellington’s March’. A note on the colourful title page states: “Composed by Her Royal Highness the Princess Charlotte of Wales.”  Charlotte was an accomplished pianist and this piece is scored for piano. It is a rousing march in honour of the hero of Waterloo – bright and energetic, much like its young composer.

Click on the link below to hear an arrangement played by the Band of the Welsh Guards: https://www.youtube.com/watch?v=1uNqWu49xO0

Princess Charlotte Augusta of Wales 1796-1817.

Balfour Declaration 100

2 November 2017 marks the centenary of the letter sent by Arthur Balfour, the Foreign Secretary, to Lord Rothschild, setting out the British government’s support for a Jewish homeland in Palestine. This Balfour Declaration could be seen as constituting a first step in achieving the objective of political Zionism that had been outlined by the First Zionist Congress in Basle in 1897, namely “Zionism seeks to establish a home for the Jewish people in Palestine secured under public law.”

Embed from Getty Images

The motives behind this decision were various. Aside from a belief in the righteousness of the Zionist cause, it has been suggested that British leaders hoped the declaration would help gain Jewish support for the allies in neutral countries, such as in the United States of America or Russia.  Great Britain and France were mired in a stalemate with Germany on the western front by 1917 and all efforts to defeat the Turks had failed.  They feared that the war might be fought to a draw.  Lloyd George also had come to see British dominance in Palestine as an essential post-war aim and felt that the establishment of a Zionist state, under its protection, would accomplish this.

The text of the declaration reads as follows:

Dear Lord Rothschild,

I have much pleasure in conveying to you on behalf of His Majesty’s Government, the following declaration of sympathy with Jewish Zionist aspirations which has been submitted to, and approved by, the Cabinet.

His Majesty’s Government view with favour the establishment in Palestine of a national home for the Jewish people, and will use their best endeavors to facilitate the achievement of this object, it being clearly understood that nothing shall be done which may prejudice the civil and religious rights of existing non-Jewish communities in Palestine or the rights and political status enjoyed by Jews in any other country.

I should be grateful if you would bring this declaration to the knowledge of the Zionist Federation.

Yours,

Arthur James Balfour

Among the Special Collections, the collection MS 144 contains papers relating to the Balfour Committee, formed for the purpose of convening a conference of Anglo-Jewry to consider means of furthering the policy laid down in the Balfour Declaration. The collection contains a book of committee minutes, dating from 17 Dec 1917 – 26 Oct 1918; correspondence of A.M.Hyamson, honorary secretary of the committee, 1917-18, including correspondence with Dr Israel Abrahams; together with statements for the press, drafts of heads of scheme, and copies of memoranda, including proposals for Jewish settlement of Palestine, some signed by members of the committee.

Netley and the Gothic

With this year marking the 200th anniversary of the death of Jane Austen and Halloween being almost upon us, we explore the gothic ruins of Netley Abbey – the inspiration for many a literary endeavour…

Lying on the eastern bank of Southampton Water, Netley Abbey is one of the best surviving Cistercian abbeys in England. The abbey was founded in 1238 by Peter des Roches, the Bishop of Winchester, shortly before his death. The following year a colony of monks arrived from nearby Beaulieu Abbey (founded by King John in 1203). Netley was dedicated in 1246 and, following its completion, was home to about 15 monks and 30 lay brothers, officials, and servants. Henry III became a patron in 1251, bringing great wealth to the abbey.

Netley Abbey Overgrown

Netley Abbey Overgrown

The dissolution of the monasteries under Henry VIII brought monastic life at Netley to an end. Following its seizure in 1536 the buildings were granted to Sir William Paulet, a loyal Tudor politician, who converted them into a mansion. The abbey was used as a country house until the early 18th century, after which it was abandoned. At this time much of the brickwork added by Paulet was removed to be used for building materials. The site then fell into neglect, becoming overgrown with trees and ivy.

In time, the site came to be celebrated as a romantic ruin, eventually becoming a tourist attraction and providing inspiration to writers and artists of the Romantic Movement, including John Constable, Thomas Gray, and Horace Walpole. The latter wrote that “they are not the ruins of Netley, but of Paradise”. It is also believed that Jane Austen drew inspiration from the abbey for her Gothic parody Northanger Abbey.

Visitors at Netley Abbey

Visitors at Netley Abbey

Among the numerous other visitors was Mary, Viscountess Palmerston, who recorded her visit in a letter to her husband, the second Viscount, on 6 August 1788:

On Monday we set off from Southampton at ten in an open boat as there was not wind enough to allow of our making use of the cutter. Our party, the Hatsells, Sloane, Stephen, Maria, Captain Southerby, Mr Ballaird and a Mr and Mrs Barton great friends of the D’Oyleys, and in truth in that consists all their merit, for I have not often seen more disagreeable people. We had a most delightful row to Governor Hornby. I think you have been there and I dare say admire the situation which is in my opinion in point of view superior to anything in this country. We went on board the yatch which lies at anchor in the Hamble River which is certainly a most complete vessel. We then row’d up to Netley where we had a most elegant dinner, Sloane having sent his cook to prepare our repast, and in the cool of the evening we repair’d to the Abby which considering every circumstance of the trees, the emannance of the ivy, the beautiful state and the situation of the ruins please me more than any I ever saw. We drank tea in the abby and came home by land. I return’d to Broadlands that night.
[MS 62 Broadlands Archives BR 11/13/1]

The Cope collection contains a range of material relating to Netley Abbey, including early guidebooks, poems, a novel, and even an opera. Evidence of its popularity can also be found in the wealth of visual material among the collection.

Two of earliest items are poems. The Ruins of Netley Abby: a Poem, in Blank Verse: to which is Prefixed A Short Account of that Monastery, from its First Foundation, Collected from the Best Authority was printed in 1765. This anonymous history and poem was published during the early years of Netley’s fame and creates a vivid image of a haunted Gothic ruin:

Though claps of thunder rock and tottering pile,
And the swift lightning’s oft repeated flash
Glance through the window with its fading fire—
Or if some meteor in the great expanse,
With streaming flame o’erhand the shaggy top,
Casting a glare amid the foliage wild,
That spreads romantic o’er the abby walls—
Though from some dark recess with ghastly stare,
An airy troop of pale cold shiv’ring ghosts
Should lightly skim along the lonesome void,
By the blue vaporing lamp here let him sit,
Or by the twinkling glow-worm’s yellow light,
Behold the hour-glass ebb, and grain by brain
The trickling sand descend; whilst o’er his head
Along the broken structure hoar and rough
The moping scriech-owl, fatal bird of night,
Claps ominous her wings, foreboding death.
[The ruins of Netley Abby : a poem, in blank verse (Rare Books Cope NET 26)]

Netley Abbey, an Elegy by George Keate (1729–97) was first published in 1764, with a second expanded edition appearing in 1769. Keate was a poet, naturalist, antiquary, and artist, best known for his poem The Alps, a Poem which was praised for its “truth of description and vigour of imagination.” In his Netley poem he sets a melancholy mood as he provides topographic descriptions of the abbey alongside moral reflections:

I hail at last these shades, this well-known wood,
That skirts with verdant slope the barren strand,
Where Netley’s ruins, bordering on the flood,
Forlorn in melancholy greatness stand.

How changed, alas! From the revered abode,
Graced by proud majesty in ancient days,
When monks recluse these sacred pavements trod,
And taught the unlettered world its maker’s praise!

Now sunk, deserted, and with weeds o’ergrown,
Yon prostrate walls their harder fate bewail;
Low on the ground their topmost spires are thrown,
Once friendly marks to guide the wandering sail.

[…]

Oh! Trust not, then, the force of radiant eyes,
Those short-lived glories of your sportive band;
Pleased with its stars, through laughing morn arise,
A steadier beam meridian skies demand!

Reflect, ere, victor of each lovely frame,
Time bids the external fleeting grace fade,
’Tis Reason’s base supports the noblest claim,
’Tis sense preserves the conquests Beauty made.
[Netley Abbey, an Elegy (Rare Books Cope NET 26)]

The second edition of the poem increased the number of stanzas from 26 to 50 and can be found reprinted with John Bullar’s Visit to Netley Abbey (discussed further below).

Netley Abbey: a Gothic Story, Richard Warner (Rare Books Cope NET 81 WAR)

Netley Abbey: a Gothic Story, Richard Warner (Rare Books Cope NET 81 WAR)

Richard Warner’s novel Netley Abbey: a Gothic Story was published in two volumes in 1795. Warner (1763–1857) was a clergyman and writer, particularly of books on topographical and antiquarian topics. Netley Abbey, his first publication, recounts the adventures of Edward de Villars, the son of Baron de Villars, a loyal servant of Edward I. The Baron is banished from the court of Edward II after which he and his family relocate to the estate of Sir Hildebrand Warren near Netley Abbey. Edward receives a supernatural warning about sinister events taking place in the area and proceeds to encounter a host of gothic characters, including plotting villains, rescued captives, ghostly apparitions, and a mysterious black knight. The novel is formulaic and contains many of the gothic tropes and plot devices established in The Castle of Otranto. However, it does differ in the fact that, unlike Walpole and Matthew Lewis, Warner employs a real place. Matthew Woodworth notes that “it is the abbey’s architecture – the style of ruined Gothic itself – that is the most threatening character of all, constantly drenched in the menace of full moonlight.” It was the likes of Warner’s work that helped turn Netley into “a pivotal monument of the Georgian Zeitgeist.”

Given the popularity of the site as a tourist destination, guidebooks inevitable followed. A prominent example is John Bullar’s A companion in a visit to Netley Abbey, first published in 1800. Keate’s elegy can be found annexed to the early editions of the guidebook, with an advertisement in the volume noting that: “When first Mr Keate published his elegy entitled Netley Abbey, he prefixed to it a short sketch of the history of the foundation. In the present publication, that account has been considerably enlarged; and such other additions have been made, as to render it a Guide to those who may visit these beautifully situated ruins.” [A companion in a visit to Netley Abbey, John Bullar (Rare Books Cope NET 26)]. Running into nine editions, the guidebook provides topographical details, along with a history of the abbey, a number of vignettes, and a ground plan of the site.

Inside view of Netley Abbey

Inside view of Netley Abbey

The extremes and common tropes of the Gothic tradition made it rich territory for satire. William Pearce’s Netley Abbey: an operatic farce in two acts pokes fun at the fashion for visiting Gothics ruins, as well as the recreation of ruins (in the form of follys) on the lands of the aristocracy. The plot follows the exploits of Oakland, his daughter, Lucy, and his son, Captain Oakland, the latter of who wishes to marry the impoverished Ellen Woodbine. It transpires that Oakland is being defrauded by his agent, Rapine, who is also responsible for the fire that destroyed the Woodbine estate. The tale culminates in the Rapine being exposed and the lovers being united against the backdrop of Netley Abbey. First performed at the Theatre Royal, Covent Garden, in 1794, Paul Rice notes that the portrayal of the ruins of the abbey on stage in the final scene was “highly evocative and gained much audience approval.”

Netley Abbey, Thomas Ingoldsby (Rare Books Cope quarto NET 26)]

Netley Abbey, Thomas Ingoldsby (Rare Books Cope quarto NET 26)]

Netley Abbey by Thomas Ingoldsby was first published as part of The Ingoldsby legends, or, Mirth and marvels in the 1840s. The name Thomas Ingoldsby was the pseudonym for the Reverend Richard Harris Barham (1788-1845). A writer, as well as a clergyman, he was best known for his series of myths, legends, ghost stories and poems. While his writings were based on traditional legends, Ingoldsby’s versions contain strong elements of satire and parody – with Netley Abbey being no exception:

And yet, fair Netley, as I gaze
Upon that grey and mouldering wall,
The glories of thy palmy days
Its very stones recall!–
They ‘come like shadows, so depart’–
I see thee as thou wert — and art –

Sublime in ruin!– grand in woe!
Lone refuge of the owl and bat;
No voice awakes thine echoes now!
No sound — Good Gracious!– what was that?
Was it the moan,
The parting groan
Of her who died forlorn and alone,
Embedded in mortar, and bricks, and stone?–
Full and clear On my listening ear
It comes–again–near, and more near–
Why ‘zooks! it’s the popping of Ginger Beer!
[Netley Abbey, Thomas Ingoldsby (Rare Books Cope quarto NET 26)]

The 1889 edition in the Cope collection was published posthumously with the poem accompanied by lithographic illustrations by Enest M. Jessop.

During the 20th century, changing attitudes led to the clearing of the vegetation and debris from the abbey ruins. All traces of the later alterations were removed, and the ruins were returned to their pristine state. The abbey is now an English Heritage site and continues to draw a large number of visitors every year. As part of the events for Jane Austen 200 there will be a series of lantern Halloween ghost walks at the abbey from 30 October to 1 November. Further details can be found at: https://www.sarahsiddonsfanclub.org/events/a-mystery-of-a-horrible-nature-lantern-halloween-ghost-walk/

Between The West and Russia exhibition

Between The West and Russia

Drawing on the Special Collections at Southampton, this exhibition will consider the interconnection between the West and Russia.

It will look at ideas from earlier revolutions that supported the development of ideologies that ultimately could be seen to set the basis for the rise of communism, as well as the influence of the communist government in Russia on the left in the West.

The exhibition also looks at perceptions of Russia from the West from before the Revolution. From charts of the seventeenth century to photographs of the early twentieth century, we gain a snapshot of general impressions of westerners of the Russian empire.

Image of Palais Nicholas, Moscow, 1907 [MS62 Broadlands Archive MB2/C6]

Image of Palais Nicholas, Moscow, 1907 [MS62 Broadlands Archive MB2/C6]

The response of the western Jewish community to reports of the anti-Semitic attacks against the Jewish population in Russia in 1905 forms a particular case study. And the dynastic and familial connections between the Russian Imperial family and western dynasties are evident in photographs in the Broadlands Archive on display that provide a more informal glimpse of the Imperial family.

Photograph of the Tsarevich aged about one year [MS62 Broadlands Archive MB2/C5/240]

Photograph of the Tsarevich aged about one year [MS62 Broadlands Archive MB2/C5/240]

The exhibition will open on 23 October and run until 15 December 2017 in the Special Collections Gallery.  During exhibitions the Gallery is open weekdays 1000-1600 (with a closure for lunch 1200-1230).

Reading Readers in the Special Collections

In this week’s blog post Jennifer Scott, a PhD candidate in the English Department, examines a unique copy of Oscar Wilde’s The Ballad of Reading Goal held in the Special Collections.

There is something undeniably thrilling about handling an early or rare edition of a much-loved work of literature. An even greater thrill of working with Special Collections, however, sometimes comes from an unexpected discovery. The Hartley Library’s copy of The Ballad of Reading Gaol by Oscar Wilde – a copy of the fourth edition of this work from 1898 – was, for me, one of those discoveries, holding between its covers a special collection of its very own.

The book is inscribed ‘R. Bruce Boswell 1898’ and has been treated as a kind of scrapbook. Pasted throughout, on the blank verso sides of the pages alongside the text, as well as on the book’s inside covers, are numerous contemporary newspaper clippings, many of which have been marked and dated in the owner’s hand. The clippings concern Oscar Wilde himself, The Ballad of Reading Gaol, the impending publication of De Profundis in 1905, and debates surrounding penal reform. Boswell’s careful collation of these clippings, as well as his written comments, show a reader forming links between the reports of the press and Wilde’s own poetic description of his prison experience.

Examining Boswell’s pencil markings, which range from ambiguous crosses and question marks to more revealing statements and questions, one gains a sense of a reader who was sceptical of Wilde’s account and of his views – a reader who even had the gall to correct some of Wilde’s most famous lines, changing ‘Each man kills the thing he loves’ to ‘Each man may kill the thing he loves’ and replacing ‘The brave man with a sword’ with ‘The bravo with a sword’!

Yet, one may also discover a reader willing to thoroughly engage with Wilde’s text and open-minded enough to also highlight some consistencies between Wilde’s account and those reported in the papers.

Remarkably, Boswell is not the only reader to have left their mark on this book either. A second reader, identifiable only as E.G.C., has responded to comments by Boswell, showing debates about penal reform, and Wilde’s place within it, to have transcended public spaces such as courtrooms and the House of Commons, and to have also occurred more privately.

This book provides a unique glimpse of some of the ways in which ordinary readers responded to Wilde and his poem following his release from prison in 1897. Despite Wilde’s name being too cloaked in scandal to appear on the ballad until 1899, Boswell’s copy reveals just how open the secret of its authorship was.

The first six editions of The Ballad of Reading Gaol bore only Wilde’s cell number, C.3.3.

The first six editions of The Ballad of Reading Gaol bore only Wilde’s cell number, C.3.3.

Furthermore, it reveals the human complexity of Wilde’s readership, which did not fall, as it is so easy to imagine, into black and white categories of supporters and detractors. The marginalia of R. Bruce Boswell and E.G.C. rather exhibit a developing engagement with this text that was influenced by both public and private debate.

I first wrote about this book in my MA thesis in 2010. I am now studying for a PhD and recently revisited the book for a conference paper, which I delivered at the British Association for Victorian Studies (BAVS) Annual conference on 23 August 2017.

Ask an Archivist Day: Responding to enquiries

Archivists and curators of Special Collections possess a detailed knowledge of the collections in their care and are always delighted to share this. To mark Ask an Archivist Day we provide a brief breakdown of the process involved in responding to researcher enquiries…

Enquiries come by four main routes: by email, phone, via post, or in person. Perhaps unsurprisingly, these days the majority of enquiries we receive are by email. The Archives inbox is managed on a rota, with Archivists taking turns in dealing with enquiries. However, if there is a large volume they will be shared out among the team. Enquiries come from a range of users both national and international, including students, scholars, educators, authors, family historians, genealogists, and filmmakers. The nature of enquiries can vary dramatically and they continually highlight the richness of the resources housed in Special Collections. While some enquiries can take minutes to process, others can take significantly longer. Below are examples of two relatively straightforward enquiries: one relating to a broad topic and the other with a more specific focus.

Enquiry #1: I’ve found material relating to the slave trade listed on the Wellington Papers Database. What other material do you have on the slave trade in the 19th century?

The topic of slavery and the slave trade is covered by both our manuscript and Printed Special Collections. Turning first to the manuscript collections, material can be found among the papers of two nineteenth-century politicians: those of the first Duke of Wellington (MS 61) and of third Viscount Palmerston (MS 62).

Searching the Palmerston Papers Database

Searching the Palmerston Papers Database

As was noted by the researcher, material on the topic can be found listed on the Wellington Papers Database. The database contains item level descriptions of material from the collection, enabling the researcher to narrow their focus to specific letters or documents. Meanwhile, a look at the catalogue for the Palmerston Papers shows there is a series of letters and papers relating to slavery and the slave trade (MS 62 PP/SLT) among the Papers on Foreign Affairs. Having identified these, a search of the Palmerston Papers Database highlights other parts of the collection containing material on the topic. Again, the database contains item level descriptions for identifying relevant documents.

It is now time to turn to the Printed Special Collections. Two collections immediately spring to mind: the Oates collection and the Wellington pamphlets. The Oates collection contains over 220 books and pamphlets on the West Indies and the abolition of slavery, dating from the 18th and 19th centuries. While the Wellington pamphlets cover a broader range of topics, the pamphlets on the abolition of slavery in the British West Indies complement those held in the Oates Collection.

An address to the inhabitants of Europe on the iniquity of the slave trade [Rare Books HT 1322]

An address to the inhabitants of Europe on the iniquity of the slave trade [Rare Books HT 1322]

Material from both of these collections can be searched on WebCat, the library’s online catalogue. As with the manuscript databases, this will help the researcher identify particular items relevant to their research. Additionally, a selection of pamphlets from the Oates collection have been digitised and can be accessed remotely on the Internet Archive.

On replying to the researcher’s enquiry, they are invited to visit to consult the collections and access details are provided.

Enquiry #2: My grandfather was a student at the university sometime between 1900 and 1905. Can you provide me with further details?

This is quite a specific enquiry and relates directly to a single manuscript collection: MS 1 Records of the University of Southampton. The first step is to examine the collection’s catalogue for listings of material relating to students covering the date range provided. PDF versions of catalogues for each collection are available to download on the Special Collections website.

Consulting the paper catalogues

Consulting the paper catalogues

At this point, it should be noted that the University manuscript collection does not contain personnel files for individual members of staff or students. However, a quick search of the catalogue provides a number of potential resources:

MS 1/3/476/3/1 Record of students, 1870-1900

MS 1/3/476/2/5 Register of students of the day training department, 1899-1915

MS 1/3/476/2/6 University examination results, arranged alphabetically by student name, 1905-36

Now it’s time to have a look at the records in the strongrooms! A location guide provides details of where items from the collections are located as there are several kilometres of shelving to navigate.

Accessing material in the strongrooms

Accessing material in the strongrooms

A search of the first volume doesn’t yield any results. The dates covered are possibly too early. The second volume, however, does contain an entry for the individual. Having graduated in 1905 their examination results are also listed in the third volume. As the individual is deceased, data protection rules do not apply and a response it sent to the researcher. They are invited to visit to consult the material themselves or, if they prefer, to order copies of the records (for the purposes of private study and research) through our reprographics service.

So please feel free to contact us if you have any questions regarding our collections or service. We are always happy to hear from users! Contact details can be found on our website at: https://www.southampton.ac.uk/archives/contact.page

Student publications

With freshers’ week in full swing and semester one having officially begun, a hive of student activity has returned to the University after the summer break. We would like to welcome all new and returning students! With this in mind, this week’s blog post looks at examples of early student publications from the University Collection, a number of which have been digitised and are currently available to view on the Internet Archive.

College Magazines

Covers for the four titles of the college magazine

Covers for the four titles of the college magazine: Hartley College Magazine, March 1901; Hartley University College Magazine, Winter Term 1912; Southampton University College Magazine, Christmas Term 1922; and West Saxon, Autumn Term 1929.

The earliest student publication in the University Collection is the first issue of the Hartley College Magazine from March 1901. The editorial to the issue notes that:

On February 27th, a General College Meeting determined by a unanimous resolution to start a Magazine. It was decided that the General Editor should be a member of the Staff, and that the different sections of the College should each choose two representatives to serve upon the Committee, power being given to add to its members by co-option. […]

It was resolved to publish once a Term in the first instance, and to issue the first number without delay. The size of the Magazine, colour of cover, title, price, and general character of the contents were next discussed, and agreed upon. The result of the deliberations may be seen in the first number of “The Hartley College Magazine.” [Hartley College Magazine, vol. 1, no. 1, March 1901]

The magazine ran under various titles between 1901 and 1939, all the while maintaining essentially the same format found in the first issue: an editorial (covering recent news and events); columns on a range of topics contributed by members of staff and students; along with reports and updates from societies and sports clubs. Later issues also included contributions of prose, poetry, songs, and reviews, as well as columns by past students. The past students society, known as the Society of Old Hartleyans, would eventually have their own publication in the form of The Gobli (later The Gobli Minor and The Hartleyan), first published in 1923.

The title of the college magazine was changed to reflect the transition of the institution to a university college in 1902, becoming the Hartley University College Magazine. Shortly thereafter, more elaborately designed covers began to appear, including a series of issues displaying a photograph of the old Hartley Institution building on the High Street. June 1914 saw the grand opening of the renamed University College of Southampton at its new Highfield campus. Six weeks later the country declared war on Germany. As a result, the move to Highfield was postponed indefinitely with the College offering the buildings to the War Office for use as a hospital.

The editorial to the first issue of the renamed Southampton University College Magazine reflects on the situation:

In troublous times, amidst wars and rumours of wars, when the spectacle of the desolate, the wounded and the dead is ever present with those of us who have hearts and homes, the periodical of the old Coll. which still, thanks to those grim and grey spectres keeping watch and war along our coasts, in common with the rest of our land retains its blissful serenity undisturbed by the turmoil of the outside world, once again makes its appearance. It would be out of place to make more than a passing reference here to the conditions in which we find ourselves placed to-day, and we must be content merely to wish God-speed and a safe return to those of our number-good and true comrades all-who are devoting their lives to the service of their country, whether at home or abroad, in the barrack-room or on the field of battle. [Southampton University College Magazine, vol. 16, no. 42, Winter Term 1914]

Despite the setback for the institution, the college magazine continued through the war years with issues from the period providing details of staff and students in active service, including lists of those injured, missing, or killed in action. Meanwhile, the first issue of the University War Hospital Gazette was published in October 1917, intended as “a monthly magazine of humour, verse and interest by the patients and staff” at the Highfield site.

West Saxon: frontispiece from Autumn Term 1928 issue and cover of Spring 1939 issue.

West Saxon: frontispiece from Autumn Term 1928 issue and cover of Spring 1939 issue. The editorial to the 1939 issue reflects on recent events: “This year West Saxon is draped in black, in keeping with the age. This is the year of gloom, that began with a scare that shook our faith in the permanence of our civilisation. We find it impossible to shut ourselves in our academic ivory tower. The uncertainty of the world situation gives us a haunting feeling of insecurity: we feel the Sword of Damocles over us, yet we do not hear the “two handed engine at the door.” “Don’t work, you’ll never take Finals,” has become the shibboleth of the disillusioned.” [West Saxon, vol. 39, no. 1, Spring 1939]

To support the movement for a University of Wessex, the college magazine adopted a new title of the West Saxon in 1926. The editorial to the Christmas term issue notes that:

In view of the movement which is on foot to make this College the University of Wessex, we deemed it essential to adopt some name which had some connection, historical, geographical, or literary with the area which this College serves, the area which once comprised the kingdom of Wessex. The adoption of such a title would, we thought, have a two-fold, and possibly a three-fold, value. In the first place such a title would be of value in showing the university world of this country (and others) what this College is and hopes to be; secondly, it would kelp to keep before the minds of present students the ideal at which we are aiming; and, thirdly, it would ensure the continuity of the future history of the Magazine, if we could choose a title suitable for use by the University of Wessex. [West Saxon, vol. 27, no. 68, Christmas Term 1926]

Two years later the first issue of Wessex was published. Edited by V. de Sola Pinto, the chair of English, the annual was “a record of the movement for a University of Wessex”, to which members of staff contributed learned articles. Wessex survived for ten years, by which time the plan for a University of Wessex had foundered. By now enthusiasm for the West Saxon was also on the wane. Burdened by the weight of tradition, editorials from the 1930s highlight the struggle faced by the editorial staff. Despite the promise to be both enterprising and efficient, the editor to the Spring issue from 1939 confesses that:

This magazine should be the highest expression of representative literary work, or representative opinion, of the members of the Students’ Union […] We were financed by, and were appointed by, the Students’ Union to produce West Saxon, a magazine with a traditional tone and format, and not the magazine that we might in our heart of hearts desire to provide. And even this traditional West Saxon, could not be what we wanted it to be: we could have lino-cuts, photographs, and gay illustrations-but alas!-the financial position of the Students’ Union has demanded us to exercise the most rigorous financial stringency. Indeed, this traditional magazine seems to be fighting for its very existence. [West Saxon, vol. 39, no. 1, Spring 1939]

The number of issues published each session had decreased over the previous two years with only one (final) issue appearing during the 1938/9 session. A new magazine arrived in the form the Second Wessex in Christmas Term 1944. Maintaining a format similar to the previous publication, the preface to the first issue states that:

This Magazine is an attempt to preserve and foster the writings of the student of University College, Southampton. It includes the work of members of any Faculty, and thus realises the idea that the Undergraduate is concerned with wider education than the mere absorption of his own subject.

Its name is a connection with an older tradition, but the publication has no actual descent, and is indeed entirely separate from that tradition. It is concerned entirely with the culture, the ideas and the affairs of the student. [Second Wessex, vol. 1, no. 1, Christmas Term 1944]

The latest issue of Second Wessex in the University Collection dates from 1968.

Issues of Hartley College Magazine, Hartley University College Magazine, Southampton University College Magazine, and West Saxon are available to consult in the open access area of Special Collections on Level 4 of the Hartley Library. Issues have also been digitised and are available to view on the Internet Archive.

Wessex News

Covers of Wessex News, March 1973, and Small Wessex, 1964

Covers of Wessex News, March 1973, and Small Wessex, 1964

The first issue of Wessex News was published in 1936. Its front page contains a statement by K.H. Vickers, Principal of University College, Southampton, outlining the aim of the publication:

Very often it has been borne in upon me how difficult it is for various members of the College to know what is going on in departments of activity with which they are not intimately associated, and, indeed, I think very few have any appreciation of the large amount of valuable and interesting work that is done on behalf of the College as a whole, and the student body in particular, and of the extent and range of these activities which have all played their part in building up a sound esprit de corps, and a real basis of university life. I hope very much that from week to week “Wessex News” will be read by all those who are taking part in the activities of the College, and, further, as time goes on, by those who are interested in the College, but not closely associated with its work; it should bring home to them how many and various are the aspects of its life. [Wessex News, vol. 1, no. 1, 25 February 1936]

Published by the Southampton University Students’ Council (now the Students’ Union) the format of the publication was closer to that of a newspaper than the student magazine had been. Since its creation, the paper has provided students with regular news, reviews, and opinion pieces and remains the oldest student news provider at the University.

Wessex News became Wessex Scene in 1996 in order to reflect on the broader range of content being fed into the paper. It has evolved over the years and now takes the form of an online news site as well as a monthly printed magazine, available across the University’s campuses and Halls of Residence. Over the years the paper has also included supplements, including Small Wessex and The Edge. Individual issues of Small Wessex focus on specific topics, ranging from fashion, music, and books to rag, societies, and graduate careers. The Edge, a more recent supplement, was first published in 1995. Focusing on entertainment news, it has been published independently since 2011.

Editions of Wessex News (and Small Wessex) available in Special Collections date from 1936 to 1994. Issues of Wessex News from 1936 to 1940 are currently available to view on the Internet Archive.

Rag Mags

Covers of Rag Bag, 1929, and Goblio, 1957

Covers of Rag Bag, 1929, and Goblio, 1957

Rag has been part of University life since the 1920s. Rag day, traditionally held on Shrove Tuesday, consisted of a variety of activities aimed at raising money for charity, including the Rag procession and Rag ball. Other activities included the publication of a ‘Rag Mag’, a small booklet traditionally filled with politically incorrect humour sold in the lead up to Rag Day. The earliest Rag Mag in the University Collection is a copy of Rag Bag dating from 1927. Over the years Rag has been abolished and revived on a number of occasions. Its revival in 1948 was followed by the publication of Goblio, the longest running Rag Mag in the collection, with copies dating from 1949-64.

From 1967 the University’s Rag Mag took on a range of titles, including “Son of Goblio” or; Babel; Southampton City Rag; Flush; Dragon; and Southampton Students Stag Rag. Copies of the Rag Mags are available to access in the open access area of Special Collections.

The magazines mentioned above are just a sample of the publications available in the University Collection. They are a key resource for understanding the development of the institution, providing student perspectives on life at the University as well as insights into significant events in the history of the University and its region.

Florence Greenberg’s Jewish Cookery Book (London, 1947, Jewish Chronicle)

70 years ago, in the austerity years following the Second World War, the Jewish Chronicle newspaper published a cookery book that was to become legendary in Jewish households across Britain. Written by Florence Greenberg – the ‘Delia Smith’ of the Anglo Jewish community – Florence Greenberg’s Jewish Cookery Book would be reprinted 13 times between 1947 and 1977, latterly by Penguin Books.

Copies of Florence Greenberg’s Jewish Cookery Book, 3rd edition (revised) 1951, 6th edition, 1958.

Florence Greenberg’s Jewish Cookery Book, 3rd edition (revised) 1951, 6th edition, 1958.

Florence was born in Canonbury, north London, on 13 April 1882, into a large Jewish family – she was the fourth in a family of eight (six girls and two boys). Her parents were Alex and Eliza Oppenheimer. In her memoirs she writes: “We were a happy united family with a sweet gentle mother and a rather strict father.” Florence describes a happy childhood. She was educated at Lady Holles School for Girls, and spent a year at a boarding school at Bonn on the Rhine – which she didn’t enjoy. Afterwards, it was decided that Florence would help her mother to run the home – and she was soon cooking for a household of twelve, assisted by a younger sister. “We did this for ten years.  That is where I gained all my cookery experience – by trial and error until I managed to get the result I wanted.” [MS116/63 AJ181/8 ‘Two interesting careers: my memoirs by Florence Greenberg.’]

During this time, when she was busy with home life and charity work, it was Florence’s ambition to be a hospital nurse. Her father was “deadly opposed to women nursing men”, but thanks to the intervention of her elder brother, she commenced training at the Royal Sussex County Hospital in Brighton in 1911.  Florence took her final exams as war broke out and immediately put her name down for the Queen Alexandra Nursing Services Reserve. In the summer of 1915 she was sent to the Middle East, travelling the long journey by ship from Plymouth, she transferred first to the temporary hospital ship the Alauria, and subsequently served at Alexandria, Port Said, and Cairo. She was in Egypt at the time of the armistice, but signed on for another six months and transferred to Haifa hospital in Palestine. “After five years of really hard work” Florence returned to England in December 1919, proud to have been mentioned in dispatches for her work in the Gallipoli campaign. Her remarkable diary of these war time experiences, complete with photographs, survives today in the collections of the Jewish Museum in London.

Soon after her return, Florence was introduced to Leopold J. Greenberg, the editor of the Jewish Chronicle. They married the following May, and it was her husband who started her second career – in cookery:

 “Soon after we were married, my husband said to me that he wished I would write cookery articles for him for the paper, and I told him not to be funny – I had no literary ability. He said: ‘What do you want literary ability for. You are a marvellous cook.’  Of course, I couldn’t refuse; so I contributed recipes regularly every week for 42 years.  This started my cookery career….”

Sadie Levine, writing in the Jewish Chronicle on Florence’s retirement in 1962, noted:

“One of her finest achievements to my mind is that during that time she never missed a deadline.  Let me tell you that takes some doing.  I do not know of another journalist who has met a Thursday deadline with unfailing timing every single week for nearly half a century.” [Jewish Chronicle, 28 December 1962]

Florence’s marriage was a very happy one and she was devastated by Leopold’s death in 1931. When his successor at the Jewish Chronicle asked her to put some recipes into book form, Florence, still grieving, was glad to have something to do.  Daily newspapers were publishing readers’ recipes as paperbacks, but Florence could see that the real need was for a modern Jewish cookery book. The Jewish Chronicle Cookery Book, published in 1934, filled that gap.  Five thousand copies were printed at the retail price of 3s. 6d. Unfortunately, in 1941, before a second edition could be published, the London offices of the Jewish Chronicle were blitzed, and the text was destroyed.

Meanwhile, her weekly column and her famous cookbook cemented Florence’s reputation as an authority on Jewish cooking. It was no surprise that during WWII she was recruited by the Ministry of Food – which was sending people out to give talks to housewives on how to make the best use of the food available during the rationing period.  Florence remembered:

“They had no one who knew the Jewish Dietary Laws, so they would like me to talk to Jewish groups. I explained that I wasn’t a lecturer, and really I couldn’t undertake it. She said ‘Mrs Greenberg, I haven’t been talking to you for the last half hour without realising that you are just the person we want, a practical housewife ‘to get it over from me to you’.” I felt I must do it after that, and I accepted the job.”

Florence researched where Jewish children with their mothers were being evacuated. Starting with the Home Counties she travelled to groups in Bedford, Oxford, Cambridge, and as far west as Somerset and Devon. She took samples for display and after her talk, would answer questions and try to solve any problems.  The interest that was shown in her recipes led to regular broadcasts for the BBC on the programme ‘The Kitchen Front’ throughout the war.  Her fan mail was huge.

And so it was, in June 1946, that Florence completed the text for a new cookery book – Florence Greenberg’s Jewish Cookery Book was published by the Jewish Chronicle the following year.  She wrote to the editor:

“Glad as I will be to see it in print I feel rather as if I have lost a baby. For over eighteen months it has been my main interest and has helped to keep me going during a very difficult period.  I hope I won’t be disappointed in the result and that it will really be what the public wants.” [MS150 AJ110/2 f.2 F.Greenberg to I.M.Greenberg, editor of the Jewish Chronicle, 12 June 1946]

Her book was indeed what the public wanted: by the time of her death, aged 98, in 1980, more than 105,000 copies had been sold. Generations of Jewish families had been raised on her recipes and Florence Greenberg had become a household name, not just among the Jewish community. What was the secret of her success? According to Sadie Levine, “She doesn’t only think up the recipes and write them.  It is common knowledge that all Mrs. Greenberg’s recipes are ‘tried and tested’… on a simple little gas stove in her West End flat.”  Put simply, her recipes worked; her explanations of basic techniques and practical tips were accessible; and as tastes changed, she adapted and added new recipes.  70 years on, Mrs. Greenberg would be thrilled to know that cooks around the world are still sharing, discussing and enjoying her recipes.

The Special Collections at the University of Southampton holds a typescript copy of the memoirs of Florence Greenberg, written in the 1970s and annotated in the hand of the author, MS116/63 AJ181/8; plus correspondence with her publisher in MS150 and MS225; and various editions of Florence Greenberg’s Cookery Book.

Florence is featured on the website ‘London Jews in the First World War’ at: https://www.jewsfww.london/florence-greenberg-115.php

Her WWI diary is held at the Jewish Museum:
http://www.jewishmuseum.org.uk/

Researching the Nuremberg trials

In this week’s blog post Emma Chadwick discusses her experience researching the transcripts of the Nuremberg trials for her Master’s thesis.

As part of my Masters course in History, I have spent my summer writing my final thesis. Though longer than my undergraduate dissertation, the project has been far more enjoyable because I have had the opportunity to use original manuscripts held in the University’s Special Collections. In particular, I have been using the collection MS 200 which contains documentation from the Nuremberg trials and the subsequent, International Military Tribunals (1946 – 47).

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The core of my project is examining the relationship between collective memory and Holocaust trials and therefore, I have been comparing the Nuremberg trials and the Eichmann trial (1961). Part of my interest in this particular topic came from an earlier visit to the archives to view a series of tapes that contained survivor testimony. I was struck by the trauma and devastation of the survivor more than I had been by literature I had read. As we are now approaching a time when soon there will be no more survivor’s left to bear witness, I wondered how we would represent the Holocaust in the future. Having already done some research in the Nuremberg trials, I found there was an absence of survivor voice and struggled with the silence within the trial. Though the defence brought witness testimony, survivors did not come to court but were asked to provide affidavits as sources of evidence. I questioned how possible it was that a Holocaust narrative could be formed just by using the Nazi documentation that had been left behind. By contrast, the Eichmann trial had over 120 witnesses speak about what they had experienced leaving those within the courtroom horrified. Therefore, I decided that as the resources were right in front of me, I could look at collective memory in both trials by examining the evidence presented at them along with the original transcripts.

Initially, I was overwhelmed by the amount of material in the archives relating to the Nuremberg trials (around 500 boxes) and struggled to see how I would pick what to look at. Helpfully, there was a catalogue on the archives website which explained what was in each box so I began to select evidence that I thought might be interesting to get an idea of the trial. To exemplify, I looked at reports from Reinhard Heydrich (a Nazi officer in the SS) on the ‘Final Solution’ which were clear proof of the Nazi’s plans to exterminate the Jews of Europe. As a history student I am familiar with this, but seeing the words on the original manuscript was still shocking. One sentence that was particularly striking read ‘as far as possible the territories enumerated under 1) are to be cleared of Jews, but the very least to be aimed at is the formation of a very few “concentration” towns’. [MS 200 IMT/16/1] Though the document does not specifically refer to the ‘Final Solution’, it is a piece of a puzzle whereby all the evidence can be put together to unveil these horrific plans.

International Military Tribunal: Opening statement for the United States of America, 21 Nov 1945 [MS 200 IMT/13/1]

International Military Tribunal: Opening statement for the United States of America, 21 Nov 1945 [MS 200 IMT/13/1]

The evidence used at the trials was not just official Nazi documentation such as reports. There were also a number of excerpts taken from Hitler’s, Mein Kampf, and newspapers such as National Socialist Monthly which give the historian a glimpse into the anti-Semitic rhetoric that was spread throughout Germany and Eastern Europe. The writings are again, shocking and disturbing but by looking through such a variety of material helped me to understand the case the prosecution was attempting to build against the Nazi’s by showing the methods they used to rally support that led to the murder of six million Jews.

Using the archives has really helped me develop my skills as a historian. Though in my undergraduate degree I used them to look at the Mountbatten Papers collection, it has been through this project that I have really learnt how to select evidence properly and how to critique sources in a way that portrays my argument effectively. What has also been motivating is having access to real documents; it has been important for me to look at original material – rather than just relying on secondary sources – to shape my understanding of the trials. I am also very grateful to the staff at the Archives who have been very patient with me and always helpful in terms of answering questions and providing me with the material that I needed!

Along with the papers of the Nuremberg trial, papers relating to the Eichmann trial can be found among the collections MS 60 Papers of Revd Dr James Parkes and MS 237-41 Papers of the Institute of Jewish Affairs.