To mark the final week of the current exhibition in the Special Collections Gallery, we take a brief tour of the gallery and explore the musical life of the University!
On entering the gallery, the first case introduces us to music as an academic discipline, and includes a score for “Sleep, my little one!” by George Leake, who became the first Professor of Music in 1920 and saw the department given faculty status in 1924. Across from this we find a score commemorating the battle of Waterloo, which not only represents the select range of special collections relating to music held by the University, but also ties in with one of the University’s most prominent manuscript collections, the Wellington Papers! A selection of other material in the case reflects student engagement with music, including photographs of master classes for music students using the Turner Sims Concert Hall.
Moving on to the second case we are introduced to what is probably the most significant of the music manuscript collections held by the University, the conducting scores of Gustav Mahler. As is noted in the exhibition catalogue, like many conductors of his era, Mahler made alterations to scores in his repertoire, with the scores on display bearing his annotations made in the process of conducting, as with the Beethoven scores, or whilst reworking his own compositions.
Next we move on to one of the real standout features of the exhibition in the form of a series of beautifully shot black and white photographs by John Garfield on display in case three. The case extends along the back wall of the gallery with the photographs showcasing a range of performances at the Turner Sims Concert Hall from the past two decades.
Case four then draws us into the world of light opera and, in particular, the world of Gilbert and Sullivan! The photographs and pamphlets on display are drawn from performances by three operatic societies, the Choral and Orchestral Society (from the 1930s); the Southampton University Operatic Society (from the 1960s); and the Southampton Operatic Society (from the 1970s and 1980s). Moving around to the opposite side of the case, we find a range of college songs and student song books associated with the University during its previous incarnations as Hartley University College (1902-14) and University College Southampton (1914-52). The songs are primarily light heart compositions reflecting aspects of student life at the University, with a number of transcriptions available in the exhibition catalogue.
The final part of the exhibition focuses on the vibrant music scene at the University from the 1950s to the 1970s, specifically in the form of jazz and rock. Case five, together with an accompanying screen display, provides a series of articles and reviews from a range of student publications covering this golden era of live music. While the early 1960s saw the Southampton University Jazz Club emerge as the University’s biggest student society, largely thanks to weekly live sessions, both the 1960s and 1970s brought a range of performances by the likes of Manfred Mann, T-Rex, Pink Floyd, Deep Purple, The Velvet Underground, Captain Beefheart and Led Zepplin. A particularly fun feature of this part of the exhibition is the audio recording accompanying the screen display, which provides the opportunity to listen to recordings by the University’s own jazz bands, Group One and Apex Jazzmen, originally recorded in 1960.
The areas covered in the exhibition only provide snapshots of the dynamic musical life of the University. Equally, the exhibition only provides a glimpse of the range of music related resources held by the Special Collections Division which consist not only of music sheets and scores, but also material relating to the history of music, the University’s music societies, acoustics and architecture, and cantorial music.
The exhibition runs until Friday 20 March, with a special opening on Saturday 21 March 12pm-4pm, in conjunction with Beethovathon at the Turner Sims Concert Hall.